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& Calling it Home
3 of 10
(a) lullaby without any music
Accidental Species...
(Ado)ration
AFTERIMAGE
American Tatts
Analects on a Chinese Screen
arc of light/dark matter
The Architextures
Arranging Nature
art facts: a book...
< a ' s a t t v >
Begin at Once
Black Valentine
A Book of Concealments
The Book of Frank
Born Two
The Bounty
BURN: Doxology for Joan of Arc
Busy Dying
Cities and Memory
The Closets of Heaven
Chantry
Chromatic Defacement
Deaccessioned Landscapes
Demo to Ink
Don't Forget to Breath
Erased Art
Exit Moonshine, Enter Wall
Figures: 32 Poems
Float
Flow--Winged...
The Form of Our Uncertainty
Grotto Heaven
Hopeful Buildings
Hostile
Huge Haiku
Implexures
In Felt Treeling
Inside the Earthquake Palace
The Invention Tree
jam alerts
The Last Clubhouse Eulogy
Let's Just Say
Matriot Acts
A Message Back and other Furors
Mirth
My Kind of Animal
Landscapes, With Green Magoes
Outcrop
The Port of Los Angeles
Presocratic Blues
A Primer of the Obsolete
The Principle of Measure...
Prospect of Release
Quirks & Quillets
A Reading 8 - 10
A Reading Spicer...
Reason and Other Women
Resurrection Papers
The Said Lands, Islands...
Schablone Berlin
Sentimental Blue
Sessions 1-33
Sessions 1-62
Since I Moved In
Slightly Left of Thinking
Slowly but Dearly
Some Kind of Cheese Orgy
Sound Remains
Speech Acts
Spiritual Letters
Stealth
The Stones for a Pillow
The Sudden
Swoon Noir
ta(l)king eyes
Teth
The Tongue Moves Talk
Traffic
Transcendental Studies...
Transducer
tv eye
Under Virga
Wardolly
Waterwork
Wax World
when new time folds up
While Sleeping
Wo'i Bwikam/ Coyote Songs...
Yesterdays
Poetry
ISBN 0-978-0925904-80-5
$16
92 pages

Wardolly
Elizabeth Treadwell’s is a difficult but deeply rewarding poetry. It has a precision and a tenderness all of its own. —Nathan Thompson, Stride
Elizabeth Treadwell’s writing, in which human figures appear amidst fantastically embroidered surfaces, demonstrates volubility, humor, and intelligence in spades. —Joyelle McSweeney, Rain Taxi

This is a feminine poetry, marvelous, tough, and unrelenting. —Maureen Thorson, Boog City

The extraordinary satisfaction in reading Treadwell is that she doesn’t finish the ends, or attempt to resolve, knowing, perhaps, that, in the end, everything, including human attention, dissolves....Her writing is its own beam. —Nicole Mauro, Jacket

What is strange, then, is the way Treadwell’s refusal, her backing off, functions to generate worlds whose ambiguities and erasures function, to my reading, as fully determined. I don’t feel the labor of needing to fill in the gaps (perhaps because Treadwell’s gaps are enormously hard to fill are, in a real sense, honest); I feel instead the way in which those gaps speak and explain their inability to be filled. —Simon DeDeo, rhubarb is susan

If you want a feminist invention that is at once comic and confident, melodic and bizarre, affectionate and committed to its principles—then Treadwell is the next poet for you. —Stephen Burt, The Believer

______________________________________________________

Chantry

by Elizabeth Treadwell

ISBN 0-925904-40-6

98 pages, $16

Description:

Chantry is song. Chantry is song that exceeds song structure in all dimensions to become invocation and enchantment. From "the vessel without a cover" to "late silhouette in / blue" it refuses to be contained, as a book wants to live outside its covers. Sing this: "linger so this grace of grace," yet sing it so that "the door cracks in so many different directions." It is in these cracks, these interstices, that Elizabeth Treadwell finds and makes song, and the song exceeds and excels. Wordsworth defined poetry as spontaneous overflow of emotion, recollected in tranquility. Hear the overflow: "lovelove. all back-slaps and gummy smiles; free for honest mating?" and hear the invocation of a tranquility available for recollection and celebration: "inventing an alphabet / and feast their Beloved for awhile." Throughout all, hear a language that irrepressibly invites the reader in, and creates a world worth the while, worth the song.

from CHANTRY:

sin-eater blue nostalgia mix

knicked in the panty house. pooped in the pantry dish. index croplink. lime subject parallelogram to the bent tint. coexistence delegates. it was a lonely ride, my feet would rather follow. schoolcraftian fuel.

"Snoopy & Linus looked all over but they could
not find the blanket. They looked behind trash
cans, mailboxes, and everything else that
looked like it might be a hiding place for a
security blanket. Linus was really depressed
because he knew there was little chance of finding
his blanket in the streets of a big city
like this." -- Charles M. Schulz

rumor of yellowstone. husbands meet on the street.
ice cream parking lot sun the close relatives. ghirardelli whynot. a small girl objects to & then greets a small dog. barely corruptible lesson knoll. seen at leisure.

novitiate chapter. painted tale greeted the reputation.

Elizabeth Treadwell lives with her family in Oakland, California, where she was born. Her other books include Populace (Avec, 1999) and LILYFOIL + 3 (O Books, 2004). She serves as director of Small Press Traffic in San Francisco, and is building a website at elizabethtreadwell.com.

 

 

 

Elizabeth Treadwell

 

 

eoagh

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