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& Calling it Home
3 of 10
(a) lullaby without any music
Accidental Species...
(Ado)ration
AFTERIMAGE
American Tatts
Analects on a Chinese Screen
arc of light/dark matter
The Architextures
Arranging Nature
art facts: a book...
< a ' s a t t v >
Begin at Once
Black Valentine
A Book of Concealments
The Book of Frank
Born Two
The Bounty
BURN: Doxology for Joan of Arc
Busy Dying
Cities and Memory
The Closets of Heaven
Chantry
Chromatic Defacement
Deaccessioned Landscapes
Demo to Ink
Don't Forget to Breath
Erased Art
Exit Moonshine, Enter Wall
Figures: 32 Poems
Float
Flow--Winged...
The Form of Our Uncertainty
Grotto Heaven
Hopeful Buildings
Hostile
Huge Haiku
Implexures
In Felt Treeling
Inside the Earthquake Palace
The Invention Tree
jam alerts
The Last Clubhouse Eulogy
Let's Just Say
Matriot Acts
A Message Back and other Furors
Mirth
My Kind of Animal
Landscapes, With Green Magoes
Outcrop
The Port of Los Angeles
Presocratic Blues
A Primer of the Obsolete
The Principle of Measure...
Prospect of Release
Quirks & Quillets
A Reading 8 - 10
A Reading Spicer...
Reason and Other Women
Resurrection Papers
The Said Lands, Islands...
Schablone Berlin
Sentimental Blue
Sessions 1-33
Sessions 1-62
Since I Moved In
Slightly Left of Thinking
Slowly but Dearly
Some Kind of Cheese Orgy
Sound Remains
Speech Acts
Spiritual Letters
Stealth
The Stones for a Pillow
The Sudden
Swoon Noir
ta(l)king eyes
Teth
The Tongue Moves Talk
Traffic
Transcendental Studies...
Transducer
tv eye
Under Virga
Wardolly
Waterwork
Wax World
when new time folds up
While Sleeping
Wo'i Bwikam/ Coyote Songs...
Yesterdays
BEGIN AT ONCE
Beth Joselow
ISBN 978-0-925904-65-2
Poetry
110 pages

Reviews

The poems in Begin at Once are truly investigations, never simply statements of things the poet already claims to know. They wander– sometimes lightly, sometimes darkly, sometimes with a quiet but sharp irony, but always generously– over all sorts of contrasting subjects with a startling insight that traces the swift and shocking changes of a life lived in a world that’s genuinely right here, right now. Beth Joselow’s poems discover, and uncover, keen truths that always surprise and unsettle and make us think again about things we believed we understood.There’s real wisdom in Begin At Once, and the world sure does need more of that.
— Mark Wallace

Joselow’s poems are “tender numbers” for “people who used to be hungry”. We’ve been chowing down on the drill, organizing our lives around days of rain/bells with colors/gears without mesh until we experience more numbers/further use as “…elusive optimism/skin of ice…” So how do we unsettle the daily bout? Joselow suggests we take each poem as “one more time” to be “simply there” “In support of ________” …”To contain _______” so that we have some unslotted space to “sit down now, begin at once.”
— Tina Darragh


Begin at Once is a terrific collection because Beth Joselow is a writer with a great gift, but it’s also a tease. Because this is a book, all 104 pages of it, that leaves you wanting to read so very much more.
-- Ron Silliman



Beth Joselow has been writing poems all her life. She has been
publishing poetry, prose and plays since her early twenties, and her work
has appeared in numerous magazines and anthologies. She often has
worked with artists and musicians. Three of her poems were composed
into a song-cycle by Janet Peachy. Her collaboration on an artists book
with the Russian artist Pavel Makov was chosen for the Osaka Triennial
in the late 1990s. Her plays have been staged in New York and
Washington DC. Begin At Once is her eighth book of poems. Others
include The April Wars, Broad Daylight, Excontemporary,
Self-Regard, and The Bottleneck.

For many years, Beth Joselow taught on the faculty of the Corcoran School of Art + Design.
She is now a psychotherapist working mostly with children. She lives near the Atlantic Ocean
in Lewes DE with her husband and a large dog.

 

 

 

Beth Joselow

 

 

eoagh

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