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& Calling it Home
3 of 10
(a) lullaby without any music
Accidental Species...
(Ado)ration
AFTERIMAGE
American Tatts
Analects on a Chinese Screen
arc of light/dark matter
The Architextures
Arranging Nature
art facts: a book...
< a ' s a t t v >
Begin at Once
Black Valentine
A Book of Concealments
The Book of Frank
Born Two
The Bounty
BURN: Doxology for Joan of Arc
Busy Dying
Cities and Memory
The Closets of Heaven
Chantry
Chromatic Defacement
Deaccessioned Landscapes
Demo to Ink
Don't Forget to Breath
Erased Art
Exit Moonshine, Enter Wall
Figures: 32 Poems
Float
Flow--Winged...
The Form of Our Uncertainty
Grotto Heaven
Hopeful Buildings
Hostile
Huge Haiku
Implexures
In Felt Treeling
Inside the Earthquake Palace
The Invention Tree
jam alerts
The Last Clubhouse Eulogy
Let's Just Say
Matriot Acts
A Message Back and other Furors
Mirth
My Kind of Animal
Landscapes, With Green Magoes
Outcrop
The Port of Los Angeles
Presocratic Blues
A Primer of the Obsolete
The Principle of Measure...
Prospect of Release
Quirks & Quillets
A Reading 8 - 10
A Reading Spicer...
Reason and Other Women
Resurrection Papers
The Said Lands, Islands...
Schablone Berlin
Sentimental Blue
Sessions 1-33
Sessions 1-62
Since I Moved In
Slightly Left of Thinking
Slowly but Dearly
Some Kind of Cheese Orgy
Sound Remains
Speech Acts
Spiritual Letters
Stealth
The Stones for a Pillow
The Sudden
Swoon Noir
ta(l)king eyes
Teth
The Tongue Moves Talk
Traffic
Transcendental Studies...
Transducer
tv eye
Under Virga
Wardolly
Waterwork
Wax World
when new time folds up
While Sleeping
Wo'i Bwikam/ Coyote Songs...
Yesterdays

Chartings
Poem by Ray DiPalma and Lyn Hejinian
Book by Charles Alexander with markings by Cynthia Miller

$320

 

A collaboration in twenty sections, this poem reveals both poets at their most lyric and playful, but ultimately the matters are serious, as we see in these intricate "chartings" of language.

Perhaps the most challenging visual book by Chax Press to date, this oversize volume measures 13.5 inches x 11.25 inches when closed. Its binding is a two-signature sewing cased into boards covered with oriental Moriki papers of a deep red color. Endsheets are reversible black and white Unryu paper. Individual pages are printed with large, yellow, 4-inch block letters in random patterns.

The poems have been printed on handmade mulberry papers that are torn by hand and collaged into the sheets of the book. Hundreds of hours, and several years in the making, this is a book that extends Chax Press's explorations of possible book forms in harmony with innovative literary texts. All printing is letterpress on a Vandercook Press. All binding is by hand in the Chax press studios.

Individuals
by Lyn Hejinian and Kit Robinson
1988, poetry

 

 

 

 

Di Palma Hejinian Robinson

 

 

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