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& Calling it Home
3 of 10
(a) lullaby without any music
Accidental Species...
(Ado)ration
AFTERIMAGE
American Tatts
Analects on a Chinese Screen
arc of light/dark matter
The Architextures
Arranging Nature
art facts: a book...
< a ' s a t t v >
Begin at Once
Black Valentine
A Book of Concealments
The Book of Frank
Born Two
The Bounty
BURN: Doxology for Joan of Arc
Busy Dying
Cities and Memory
The Closets of Heaven
Chantry
Chromatic Defacement
Deaccessioned Landscapes
Demo to Ink
Don't Forget to Breath
Erased Art
Exit Moonshine, Enter Wall
Figures: 32 Poems
Float
Flow--Winged...
The Form of Our Uncertainty
Grotto Heaven
Hopeful Buildings
Hostile
Huge Haiku
Implexures
In Felt Treeling
Inside the Earthquake Palace
The Invention Tree
jam alerts
The Last Clubhouse Eulogy
Let's Just Say
Matriot Acts
A Message Back and other Furors
Mirth
My Kind of Animal
Landscapes, With Green Magoes
Outcrop
The Port of Los Angeles
Presocratic Blues
A Primer of the Obsolete
The Principle of Measure...
Prospect of Release
Quirks & Quillets
A Reading 8 - 10
A Reading Spicer...
Reason and Other Women
Resurrection Papers
The Said Lands, Islands...
Schablone Berlin
Sentimental Blue
Sessions 1-33
Sessions 1-62
Since I Moved In
Slightly Left of Thinking
Slowly but Dearly
Some Kind of Cheese Orgy
Sound Remains
Speech Acts
Spiritual Letters
Stealth
The Stones for a Pillow
The Sudden
Swoon Noir
ta(l)king eyes
Teth
The Tongue Moves Talk
Traffic
Transcendental Studies...
Transducer
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Under Virga
Wardolly
Waterwork
Wax World
when new time folds up
While Sleeping
Wo'i Bwikam/ Coyote Songs...
Yesterdays

Jonathan Brannen
Deaccessioned Landscapes
ISBN 0925904-34-1
$16

Reviews

"The word [deaccessioned] you've entered does not appear in the
dictionary," my search engine informs me, although it does let me know
that "accession" involves increase, acquisition. To which Jonathan
Brannen, in this book of linked meditations, responds, "Minus is more
exact / than plus." Or, "there are no / empty words," which fact he
proves over and again in his explorations of distance, passage, and
death's imprint on identity. By writing his poems along two tracks,
one that gathers thinking together, and another that disperses it,
Brannen illustrates the tenuousness of language even as he shows faith
in the act of speech. I have not for some time read such a profound
consideration of "what passes," or how best to talk about the mind's
landscapes once they're gone.

--Susan M. Schultz

The visceral and the intellectual, the fragmentary and the full, the
future and memory - Jonathan Brannen interrogates opposites in these
facing pairs, brilliantly illuminating the zone of language that
operates between. Sharp and bright, it's a collection that sees the
world in all its detail and in vivid color; it sparks the mind.
-- Cole Swensen

 


 

 

 

 

 

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