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& Calling it Home
3 of 10
(a) lullaby without any music
Accidental Species...
(Ado)ration
AFTERIMAGE
American Tatts
Analects on a Chinese Screen
arc of light/dark matter
The Architextures
Arranging Nature
art facts: a book...
< a ' s a t t v >
Begin at Once
Black Valentine
A Book of Concealments
The Book of Frank
Born Two
The Bounty
BURN: Doxology for Joan of Arc
Busy Dying
Cities and Memory
The Closets of Heaven
Chantry
Chromatic Defacement
Deaccessioned Landscapes
Demo to Ink
Don't Forget to Breath
Erased Art
Exit Moonshine, Enter Wall
Figures: 32 Poems
Float
Flow--Winged...
The Form of Our Uncertainty
Grotto Heaven
Hopeful Buildings
Hostile
Huge Haiku
Implexures
In Felt Treeling
Inside the Earthquake Palace
The Invention Tree
jam alerts
The Last Clubhouse Eulogy
Let's Just Say
Matriot Acts
A Message Back and other Furors
Mirth
My Kind of Animal
Landscapes, With Green Magoes
Outcrop
The Port of Los Angeles
Presocratic Blues
A Primer of the Obsolete
The Principle of Measure...
Prospect of Release
Quirks & Quillets
A Reading 8 - 10
A Reading Spicer...
Reason and Other Women
Resurrection Papers
The Said Lands, Islands...
Schablone Berlin
Sentimental Blue
Sessions 1-33
Sessions 1-62
Since I Moved In
Slightly Left of Thinking
Slowly but Dearly
Some Kind of Cheese Orgy
Sound Remains
Speech Acts
Spiritual Letters
Stealth
The Stones for a Pillow
The Sudden
Swoon Noir
ta(l)king eyes
Teth
The Tongue Moves Talk
Traffic
Transcendental Studies...
Transducer
tv eye
Under Virga
Wardolly
Waterwork
Wax World
when new time folds up
While Sleeping
Wo'i Bwikam/ Coyote Songs...
Yesterdays

(a) lullaby without
any music
by Jennifer Bartlett

$17
74 pages, poetry
ISBN 978-0-925904-35-5

 

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Reviews

These etched words take flight into the everyday of husbands and birds, crystalline reflection and self-possessed repose. Bartlett's poems sparkle with unadorned being and sardonic becoming. Till we become ourselves in their reflection, refigured as beauty.
-Charles Bernstein


The crosshatch of love, place and domesticity. A woman wearing, then shedding, the identities of body, mother, wife, daughter, bird and lover. Jennifer Bartlett's (a) lullaby without any music proves, once again, that she is the nightingale in the city, and we are all richer for it.
-Maryrose Larkin

About the Author

Jennifer Bartlett is the author of Derivative of the Moving Image and co-editor of Beauty is a Verb: The New Poetry of Disability.
She lives in Brooklyn, New York, and in Portland, Oregon.

 

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